Thursday, December 07, 2006

untouchable unthinkables II

Performance art is not interesting anymore? It has become a migration of birds from one place to another as it originates from the West and now widely spread in the asia region. The new breath of life into performance art as an invitation to a dialogue, which relies on concept not on objects or skills, an expression of the self in the public space. When humans are creatures designed to communicate, is the artist and the work of the artist in performance art inseparable? Do we take on a new role when we perform or we do not? In the history of performance art, do we have an exact mapping of the time of the beginning of performance art or is it what we call a series of emergences that has no beginning or ending? How do we rebrand performance art and reposition it in this empirical approach to the quest of knowledge? Do we copy a form without synthesizing the information? Is communication through art borderless as it creates psychological space in the minds of the audience? Have we jumped the rails in our obsession of the body in performance art? Is the body the place for performance to take place? If so, where are the social realities surrounding it? I realize today that the communication between the performer and the audience is no longer defined as a direct or indirect communication? But it is an uncanny communication if the notion of the performer and their work are inseparable. It is an uncanny transaction when we transform into something unfamiliar during the performance (due to spontaneity and unpredictability) and use that unfamiliar form to interact with the audience to make them feel familiar to us. That transient form exists in this liminal space in between, and it transcends beyond material, time and space. This sentence popped up during the workshop “ is there only one God, one reality, one truth if our notion of time is linear?” I have been thinking about the integrity of a performer these few moments. The performance artists here in this event are peaceful people and I am glad to be here in partnership with them in this festival.

.. On the way to national gallery today, I thought about how much I love Indonesia. I still do. the people here have that indescribable genuinity that is unique to them alone. We have been spending time on the road in the traffic jams more than sleeping..my performance is tomorrow, this is my first performance out of Singapore.. gotta be good =)

selamat tidoor.

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